The Criterion seal alone implies a standard of artistic merit, allowing the film to take many audiences by surprise when discovering the true nature of Pier Paolo Pasolini's last, and most astonishing ...

Salò, or the 120 Days of Sodom, which has earned a reputation as the most depraved film of all time - TCD/Prod DB/Alamy Pier Paolo Pasolini couldn’t have directed a more cinematic death. On the ...

opus Salò, Or The 120 Days Of Sodom was one of Criterion's first DVD releases back in 1998, but the title quickly went out of print, and in the decade since, secondhand copies of Salò have sometimes ...

What he really wanted was to spend Thanksgiving with his family. What he got was three days with the turkey.

A scene from Pier Paolo Pasolini's "Salò, or the 120 Days of Sodom." (Zebra Photofest) "120 Days of Sodom," the rapacious weave of sexual excess and debauchery penned by Marquis de Sade in the late ...

I had passively avoided Pier Paolo Pasolini’s last film (he was murdered shortly after it was made) Salo or the 120 Days of Sodom (1975) for years. I didn’t go out of my way not to see it, though a ...

Pier Paolo Pasolini’s last film, from 1975, is also, in a way, the ultimate film: its representation of depravity may be unsurpassable. Pasolini sets the Marquis de Sade’s “120 Days of Sodom” in ...

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Ultimately, as film-maker Michelangelo Antonioni observed of his contemporary, Pasolini was “ the victim of his own characters ”. Certainly, it’s the kind of gruesome fate that could have befallen the ...

Dir. Pier Paolo Pasolini (1975) Pasolini’s legendary provocation transposes the Marquis de Sade to Fascist Italy in 1944 as eighteen teenage boys and girls are kidnapped and subjected to unimaginable ...