As he first listened to the rough tracks for the Beatles' Revolver during the spring of 1966, Klaus Voormann was struck by one thought: "This is gonna be a tough job to do a cover!" Looking back on ...

The Beatles' seventh studio album, 1966's Revolver, was a turning point for the Fab Four: it was the record that saw them use the recording studio as an instrument in itself—a place where they, along ...

Was what it that you felt you wanted to convey with the cover? Voormann: The one thing that was important to me is I didn’t want to do like the early days, where you have a picture and everybody is in ...