When it comes to the public imagination, opera is a genre built on contradiction: exclusive yet ubiquitous. No member of that esteemed canon encapsulates this contradiction better than Georges Bizet’s ...
Performances in N.Y.C. Advertisement Supported by Starring a magnetic Aigul Akhmetshina, Carrie Cracknell’s lethargic staging updates Bizet’s opera to present-day America. By Zachary Woolfe The ...