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Older readers may recall the cobbled together, ramshackle play, a staple of the Golden Age of Light Entertainment that would ...
"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd ...
The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a ...
On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing ...
The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number ...
Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in ...
I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown ...
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a ...
There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a ...
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a ...
For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised ...
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